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Chrissie
Gittins
Now
you see her, now you...

Welcome
to The Poetry Zone, Chrissie. So, to begin, when did you start writing?
About
twelve years ago. Though I remember keeping a series of notebooks when
I was a teenager. It was like having a conversation. And I loved writing
at school. I had a lovely English teacher who would read out what she
thought were the good pieces we had written. It was such a thrill if she
read yours out.
Why do you write poetry?
It's succinct and it goes to the heart of the matter. It's like a tree
strung with lots of blinking lights. Each light or poem can be about something
different and can have a different tone or mood, but they all help to
light up the whole.
Twister
Hamster
Twister sleeps in the day,
Esther sleeps at night.
Esther wakes in the morning,
gives Twister quite a fright
by poking her finger at Twister
who bites her thumb real hard.
Esther now has a plaster.
And
she pulls away her finger a bit faster
Do
you write anything other than poetry?
I write short stories and radio drama. I'm working on a commissioned play
for BBC Radio Four just now. It's about a particularly gruesome sideshow
on the Golden Mile in Blackpool in 1934. It will be broadcast over the
October half term - at 2-15pm on Friday 25th October.

Do you write for adults?
Yes. My short stories and plays are for adults, and I write poems for
adults too.
What
books have you written?
My new collection of children's poems is just out. It's called Now
you See, Me Now You
. They're poems written over the last ten
years - about a wild tortoise from Turkey who becomes a pet in Catford;
a boy

who buys a
budgie when he absolutely wanted a canary; a girl who can make coins come
out of her belly button; a Dad who disappears into the garage and beyond;
poems which poke fun at punctuation; and a poem about child slavery in
the eighteenth century. It's illustrated by a wonderful Norwegian illustrator
- Gunnlaug Moen Hembery - who lives in Bristol. I found her website on
the internet and loved her work as soon as I saw it. It turned out she
was just about to have a baby, but she managed to fit in illustrating
the book and finished the drawings just a few days before her son was
born.
How long does it take to write a poem?
It can
vary. An American poet called Elizabeth Bishop once took fifteen years
to write a poem. For me it can be half an hour for the first draft then
a few days or a few weeks before it feels right.
What
is the most unusual event that has inspired you to write a poem?
This
wasn't a particularly unusual beginning, but I guess that's the way with
lots of poems - ordinary things can become extraordinary. I was waiting
in the playground with my niece and some of her friends for the day to
start. It was winter and freezing cold. We wondered what it would be like
if a man walked by locked in a block of ice - and so The Ice Man was born.

How
do you write your poems?
I start writing on used paper which has been printed on one side and attach
it to my pink plastic clipboard. The clipboard has sentimental value and
the used paper stops me feeling too precious about writing. I write two
or three drafts and then commit to the computer for further drafts.
Which
is the most unusual school that you've visited?
I visited
a school next to Loch Ness - called Aldourie. The headteacher was called
Mrs Macbeth. The school was tiny and another school came from across the
mountains to join us - from a place called Farr! At the end of the day
one of the children left their jumper behind. Another child smelled it
to work out whose jumper it was. He got it right!
Possible
Presents
The lick of
a tall ice cream
and the first burnt nose of summer.
The jumper which shrunk in the wash
back to its usual size.
A bowl of red tulips
which curl up their petals at night.
A camouflaged frog jumping
between caramel leaves.
Bread baked this morning
spread with Somerset butter.
The blackbird which sings in the tree
each day at a quarter to four
Have
you been on the TV or radio?
I was
on Sky TV when they filmed National Poetry Day at the Poetry Library a
few years ago. And I've been on BBC Radio Four's Poetry Please programme,
and on the World Service. I found myself 'hijacked' by a tour guide in
northern Thailand and taken to see a refugee camp on the Thai/Burma border.
They were Karenni refugees from Burma. I then did a 'From Our Own Correspondent'
kind of slot about them for the World Service.

Of
all the poems you've written, which is your favourite?
At the
moment I'm very fond of The Powder Monkey because it won me the Belmont
Poetry Prize! It's about a boy who goes to sea in the seventeen hundreds
at a very young age. I heard about powder monkeys - the boys who used
to supply the cannons with gunpowder - from a friend who visited the Golden
Hind in Portsmouth. Since I don't live very far from Greenwich I was able
to do some research at the Maritime Museum Library. Needless to say I
was delighted when it won the poems for 9-12 year olds category in the
Belmont competition - especially since children choose the winning poems.
What
advice would you give to young poets?
I'd give you the advice that my first writing tutor gave me. 'You can
write and not be a writer, but you can't be a writer and not write!' Also
join a library and read everything you can lay your hands on.

Visit Chrissie's Website
www.chrissiegittins.co.uk
Now
You See Me Now You... by Chrissie Gittins can
be ordered from the publisher. Send a cheque for £4.99 plus 50p
(p+p) to
Rabbit Hole
Productions
24 Elsinore Road
Forest Hill
London
SE23 2SL
UK
or
ask at your local bookshop quoting ISBN 0-9543288-0-9

and
I'll have two chocolate whoppers, please
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